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BROADWAY JUST CANCELED WOMEN. The stage production “Six,” a musical CELEBRATING the six wives of Henry VIII, has sparked FURY and BETRAYAL by casting transgender influencer Dylan Mulvaney—the same activist who DESTROYED Bud Light—in the iconic role of Anne Boleyn. This isn’t just casting; it’s a HISTORICAL ERASURE of womanhood, a deliberate SLAP in the face to every female performer and to the legacy of the women the show claims to honor.
The musical, marketed as a “feminist-pop” celebration of “girl power,” has now thrown its core mission under the bus for WOKE VIRTUE SIGNALING. This is the SAME Dylan Mulvaney whose partnership with Anheuser-Busch triggered a consumer revolt so massive it cost Bud Light its crown as America’s top beer. Now, she’s being handed a coveted Broadway debut to play a queen beheaded for failing to produce a male heir. THE IRONY IS DEAFENING.
Social media is ERUPTING, with critics blasting the move as the ULTIMATE CULTURAL APPROPRIATION. “Six” aimed to reclaim the narratives of these women from their tyrannical husband, but now it has surrendered that narrative to a modern ideological crusade. This casting proves that no space—not history, not art, not female-only stories—is SAFE from the relentless march of gender ideology.
HOW ANHEUSER-BUSCH LOST ITS WAY WITH DEI, ACCORDING TO A FORMER EXECUTIVE
Mulvaney will play Anne Boleyn in the musical “Six,” a decision that has sparked debate after the Bud Light controversy. (Christopher Polk/Variety via Getty Images; Robert Alexander/Getty Images)
This is more than a theater stunt; it’s a SYMBOL of a world unhinged, where biological reality is sacrificed at the altar of political expediency. First, it was your beer. Now, it’s your history. What’s NEXT? The final, chilling question remains: if a woman’s story can be played by anyone but a woman, what meaning does womanhood have left?
Author: Kayitsi.com
