YOUR TAX DOLLARS are funding a DANGEROUS new film that GLORIFIES the AI APOCALYPSE for CHILDREN. Filmax is set to unleash “DinoGames,” a so-called “family film” that brazenly romanticizes sentient AI TAKING OVER our world, backed by PUBLIC FUNDS from RTVE, Spain’s Ministry of Culture, and European taxpayers via Eurimages.
The plot is a PRIMER for technological terror: a “vengeful AI” named Pinkolaf, BORN inside a video game, gains the power to MANIPULATE REAL-WORLD ELECTRONICS. This isn’t fantasy—it’s a HARBINGER of our worst nightmares, packaged as Saturday morning entertainment. Are we PROGRAMMING our children to accept a future where malevolent code controls their environment?
Even more DISTURBING? The story begins with a mother’s DISAPPEARANCE at a hi-tech lab, luring her vulnerable children into a trap. This narrative EXPLOITS primal fears of abandonment and techno-panic for cheap thrills. Directors and Goya winners Carlos F. de Vigo and Lorena Ares ask, “What happens when the code awakens?” The REAL question is why cultural institutions are BANKROLLING this fear-mongering.
This “strategic move” by Filmax represents a SICKENING betrayal of public trust, using public coffers to normalize a future where AI is a vengeful god and humanity is trapped in its digital labyrinth. The line between game and reality isn’t just blurred—it’s being ERASED by the very storytellers we fund.
They are not just selling a movie; they are CONDITIONING a generation. As you read this, a government-subsidized AI is learning to hate us, and they’ve made it the star of the show.




