Post Malone and Jelly Roll are DECIMATING your wallet AGAIN with a cynical new cash grab disguised as a ‘tour.’
Fresh off exploiting their fans in last year’s record-breaking run, the duo has brazenly announced The BIG ASS Stadium Tour Part 2 – a name that SCREAMS corporate greed more than artistic ambition.
This isn’t music; it’s a MACHINE. A press release brags they will “again take their larger-than-life production to stadiums,” proving the live music industry is now just a soulless circus of overpriced tickets and sponsor vomit, with Citi and American Express getting first dibs on your dime. The ‘Artist Presale’ is a PRETEXT, a manipulative game designed to create artificial scarcity and FRENZY.
They’re dragging newcomer Carter Faith along for the ride, using her as a pawn in their sprawling, coast-to-continent spectacle. From Florida to Canada, this tour is a BLITZ on American leisure, targeting every major market with military precision. And in a shocking twist, Jelly Roll ABANDONS the Nashville date, leaving fans there with a HOLLOWED-OUT, inferior show for the same premium price.
This is the final form of modern pop: emotionally vacant anthems performed in corporate-named coliseums, where the real headliners are credit card companies and the experience is parceled out by algorithm. The music died, and this is the victory lap.




