Rob Reiner was born into the lineage of comedy thanks to his father, television pioneer Carl Reiner, and he first gained recognition as an actor, including his Emmy-winning role on “All in the Family.” And while there is certainly a streak of humor through almost all of his films, what marks Reiner’s work as a director is his astonishing versatility, able to switch styles from one project to the next with remarkable ease. The run of films that begins with his feature directing debut, 1984’s “This Is Spinal Tap,” on through 1986’s “Stand by Me,” 1987’s “The Princess Bride,” 1989’s “When Harry Met Sally…,” 1990’s “Misery,” 1992’s “A Few Good Men” and 1995’s “The American President” is simply breathtaking for its mastery across the spectrum of popular Hollywood moviemaking.
‘This Is Spinal Tap’ (1984)
Harry Shearer, left, Christopher Guest and Michael McKean in the movie “This Is Spinal Tap.”
(Archive Photos / Getty Images)
Though not strictly the first to explore the form, Reiner’s first feature as director more or less cemented the concept of the “mockumentary,” presenting itself as a documentary on the (fictional) rock band Spinal Tap. Reiner appeared onscreen as Marty DiBergi, director of the faux film-within-the-film, forming a neat transition from his career as an actor to director. And while this year’s sequel “Spinal Tap II: The End Continues” was not particularly well received, the legacy of the original, still among the most quotable comedies ever made, remains untouchable. — Mark Olsen
‘The Sure Thing’ (1985)
Made amid the teen sex comedy craze of the 1980s, Reiner’s second film, about two college students sharing a cross-country car trip together, had something special and different about it — namely the performances of John Cusack and Daphne Zuniga, who both brought an openhearted tenderness to a story that might have toppled into cynicism. The emotional earnestness that would often come through in Reiner’s work first emerged here, making what could have been a run-of-the-mill exercise into something more. — M.O.
‘Stand by Me’ (1986)
Wil Wheaton, left, River Phoenix, Jerry O’Connell and Corey Feldman in the movie “Stand by Me.”
(Columbia Pictures)
Based on a novella by Stephen King, “Stand by Me” is about four boys — played by Wil Wheaton, Corey Feldman, Jerry O’Connell and River Phoenix — who find their friendship tested during a particularly eventful Labor Day weekend of 1959. Approaching the story with a mix of dewy nostalgia and incisive clarity, the film earned Reiner the first of three nominations from the Directors Guild of America. — M.O.
‘The Princess Bride’ (1987)
Robin Wright and Cary Elwes in the movie “The Princess Bride.”
(20th Century Fox / Kobal / REX / Shutterstock)
It would be inconceivable to not include “The Princess Bride” in any consideration of Reiner’s best, as the swashbuckling fantasy romance embodies a sense of playful inventiveness and anything-can-happen ethos. An elderly man reads a story to his grandson as the action comes to life in the tale of a farm boy and a princess who are fated to be together, if only they can overcome all manner of trials and challenges. The movie has now enchanted multiple generations of children and adults alike. — M.O.
‘When Harry Met Sally…’ (1989)
Meg Ryan and Billy Crystal in the movie “When Harry Met Sally…”
(Castle Rock Entertainment)
As much as any other movie, “When Harry Met Sally…” (scripted by Nora Ephron) has come to embody the modern romantic comedy with its will they-won’t-they tale of two good friends who come to realize they may also work as something more. Grounded by the charming performances of Meg Ryan and Billy Crystal, as well as a strong supporting cast including Carrie Fisher and Bruno Kirby, the film has a rare warmth. It was Reiner’s mother Estelle who delivered the unforgettable punchline, “I’ll have what she’s having.” — M.O.
‘Misery’ (1990)
Kathy Bates and James Caan in “Misery.”
(Archive Photos / Getty Images)
Reiner named his production company Castle Rock Entertainment in honor of his deep love for Stephen King’s fiction and after making a splash with “Stand by Me,” there was no way he wasn’t going do something scarier as a follow up. (You get a hint in “When Harry Met Sally” — look at the hardcover Crystal is skimming.) King’s captive-author nightmare gets classed up by two knockout performances calibrated in perfect harmony: Kathy Bates’ psycho fan, a turn that earned her an Oscar, and James Caan as the bedbound writer. At the time, Caan was an actor in need of a second chance. Reiner was it. — Joshua Rothkopf
‘A Few Good Men’ (1992)
Jack Nicholson, left, and Tom Cruise in the movie “A Few Good Men.”
(Mondadori Portfolio / Mondadori via Getty Images)
Reiner seemingly conquered yet another movie genre with this tightly wound military courtroom thriller and received his only Academy Award nomination, for best picture. Reiner was also recognized with nominations from the Directors Guild, Producers Guild and Golden Globes for the film. Written by Aaron Sorkin and featuring a cast that includes Tom Cruise and Demi Moore, this has Jack Nicholson’s volcanic delivery of the now-legendary line, “You can’t handle the truth!” — M.O.
‘The American President’ (1995)
Michael Douglas and director Rob Reiner on the set of “The American President.”
(Archive Photos / Getty Images)
A president as a romantic lead? Such things actually happened during the Clinton era. Reiner injects warmth and realism to Sorkin’s swaggering original script, loaded with wonky dialogue and walk-and-talks. But it’s the careful steering of Michael Douglas as a widowed U.S. leader and rising star Annette Bening as an extra-persuasive eco-lobbyist that distinguish this gentle comedy, one that seems positively alien to our current climate. Widely known for his vigilant activism in later years, Reiner’s on-screen politics were no less optimistic. — J.R.
‘Rumor Has It’ (2005)
Jennifer Aniston and Kevin Costner in the movie “Rumor Has It.”
(Melissa Moseley / Warner Bros. Pictures)
Not many would dare to take on a sort-of sequel to a movie as beloved as “The Graduate,” but Reiner brought a casual ease to the tale of a woman, played by Jennifer Aniston, who believes her mother and grandmother were the inspiration for Charles Webb’s original source novel. Though reviews at the time largely savaged the movie, it now seems just the kind of self-assured studio comedy audiences yearn for, buoyed by Shirley MacLaine’s outrageous performance as a woman who may be the real Mrs. Robinson. — M.O.
‘Albert Brooks: Defending My Life’ (2023)
Albert Brooks, left, and Rob Reiner in the documentary “Albert Brooks: Defending My Life.”
(HBO)
Reiner received two Emmy nominations for this documentary tribute to comedian, actor and filmmaker Albert Brooks, a friend of Reiner’s since the two met as teenagers at Beverly Hills High. It’s captured as an expansive conversation with the two sharing a meal in a restaurant. As much as the film is a portrait of Brooks, it also reflects Reiner’s own unique position as someone who knew show business and its ups and downs with a rare intimacy. — M.O.
