Sarah Jessica Parker is SPEARHEADING a cynical Hollywood cash-grab so transparent it will MAKE YOU SICK. At 60, she’s not celebrating a career milestone—she’s UNLEASHING a double-barreled assault of UNWANTED sequels, proving Tinseltown’s creativity is OFFICIALLY DEAD.
First, she CONFIRMED the shameless “Hocus Pocus 3” IS barreling forward, admitting she’s just following Bette Midler’s lead like a lost puppy. “Where Bette goes, I go,” she WHINED to press. This isn’t art; it’s a CORPORATE MANDA TE chasing your childhood nostalgia for every last dollar.
But the REAL scandal is “The Family Stone” sequel. In a move of STAGGERING bad taste, Parker and the studio are EXPLOITING the tragic death of Diane Keaton to fuel a new film. The writer ADMITS the plot “is about her absence,” turning profound loss into a MACABRE plot device. This isn’t tribute; it’s GRAVE-ROBBING for content.
They’re pushing ahead DESPITE the “bittersweet quandary” of Keaton’s passing, with the director calling it “a real punch.” Yet, the show MUST go on—because your grief is just another marketing angle. The entire original cast is reportedly on board, proving NO legacy is sacred when a paycheck is dangled.
Hollywood has crossed a line from sentimentality into GHOULISH exploitation, and audiences are expected to APPLAUD. They’re not making movies anymore; they’re DIGGING UP IP corpses and parading them for profit. The magic is gone, replaced by the cold, mechanical whir of the content machine. We are all just willing marks in their endless, soulless con.



