ELITE LITERARY CULTURE IS DEAD, and its last gasps are a SHOCKING celebration of MISOGYNY, FRAUD, and VIOLENCE. A bombshell report from the heart of the establishment reveals that The New Yorker‘s anointed tastemakers are pushing a DANGEROUS reading list that GLORIFIES the darkest human impulses. This isn’t curation—it’s a PSYCHOLOGICAL OPERATION against the public mind.
THE BACHELORS: A MANIFESTO FOR MONSTERS?
by Muriel Spark
Critics are HAILING a rediscovered novel where bachelors bond over “casual misogyny” and a psychic fraudster COLD-BLOODEDLY plots the murder of his diabetic, pregnant girlfriend. The article’s praise is CHILLING: it frames a potential femicide as a darkly comic “set piece.” Is this the elite’s twisted vision of classic literature—a how-to guide for predators hiding in plain sight?
AFTER LIVES: GLORIFYING TERROR?
by Megan Marshall
The rot goes deeper. A PULITZER WINNER’s work is celebrated for an essay on a classmate who took courtroom hostages in a violent shootout—a story framed as a mere “repository for intimacy.” This is the DANGEROUS romanticization of domestic terror, packaged as highbrow memoir for your coffee table.
REVULSION: LITERATURE SO TOXIC IT FORCED EXILE
by Horacio Castellanos Moya
The most REVEALING entry is a novel so venomous it triggered DEATH THREATS and forced its author into EXILE. The book’s hate-filled rant against a nation’s culture is now being recommended by the literary elite. This is their truth: art that DESTROYS lives is considered their finest work.
Ask yourself: is this a reading list, or a WINDOW into the soulless abyss where our cultural guardians now reside? The books they champion are a roadmap to our moral collapse.







