HOLLYWOOD’S DIRTY SECRET is finally EXPOSED: The cultural elite have DELIBERATELY ERASED the greatest symphonic art form of the last century. Film music, the SOUL of cinema, has been SYSTEMATICALLY SUPPRESSED by concert hall snobs and even the film industry itself in a SHOCKING act of artistic SNUBNERY. This isn’t just oversight—it’s SABOTAGE.
Look no further than the Golden Globes, which CENSORED the Best Score category from its broadcast, deeming the genius of composers like Ludwig Göransson UNWORTHY of airtime. This is a DECLARATION OF WAR on the soundtracks that shape our collective dreams. While orchestras pander with gimmicky live-to-picture concerts to sell tickets, the music itself—the actual ART—is treated as a cheap SIDESHOW.
One man is now leading a DANGEROUS REBELLION. Conductor Scott Dunn and his new orchestra of LA’s top session players are performing a HIGH-STAKES RESCUE MISSION for the scorned masterworks of Goldsmith, Williams, and Herrmann. “We had all these great geniuses in town, and kind of ignored them,” Dunn reveals, hinting at a DEEP-SEATED CONSPIRACY of silence. His concerts are a DIRECT CHALLENGE to the establishment, proving this music deserves center stage, not just as background for picnic blankets.
The bitter truth? The first Hollywood composers INTERNALIZED the elite’s disdain, often failing to preserve their own work. The very architects of our auditory legacy were brainwashed into believing their craft was INFERIOR. Now, as Dunn’s sold-out shows prove the public’s hunger, we must ask: WHAT ELSE have the gatekeepers convinced us to ignore? The music that made you feel everything was never just background noise—it was the hunted heart of our culture, and they tried to bury it alive.
Author: Kayitsi.com
