The Charli XCX film is neither funny enough to be a mockumentary nor real enough to be a concert doc. The result is pure brand management.
Photo: Courtesy of Sundance Institute
EXPOSED: Charli XCX’s new film ‘The Moment’ is a SHAMELESS, SELF-AGGRANDIZING fraud that DARES you to call it out. In a shocking display of celebrity narcissism, the pop star’s “mockumentary” is nothing but a COWARDLY, multi-million dollar vanity project designed to make you pity the rich and famous. This isn’t satire—it’s a DISTURBING glimpse into an industry that now believes its own LIES.
The film follows Charli through a curated hell of her own making: credit card sponsorships, absurd outfits, and media frenzy. But the REAL horror show is the message. EVERYONE around her—fans, managers, even legendary actors like Alexander Skarsgård—is portrayed as INSANE or PATHETIC. The only sane person in the room? Charli herself, the perpetual victim of her own success. It’s a MASTERCLASS in how modern celebrities manipulate narrative to paint themselves as martyrs while cashing the checks.
The film’s directors were apparently TOO TERRIFIED to mock their cash cow. Instead, they deliver a MELODRAMATIC, tone-deaf sob story that climaxes with Charli bemoaning her lifelong desire to “be cool.” This from an artist at the peak of global fame! The AUDACITY is STAGGERING. In one telling scene, she encounters Kylie Jenner, a moment that should crackle with meta-commentary but instead devolves into more self-pity. This is the sound of an entire culture ROTTING from the inside out.
‘The Moment’ is a FAILURE of art and a BETRAYAL of the audience. It wants the credibility of a raw documentary AND the clever distance of satire, but it only achieves the soul of a corporate brand manifesto. It proves that today’s pop stars are no longer artists or even clowns—they are CURATORS of their own delusion, demanding we applaud their struggle as they dance on the grave of authenticity. The most shocking truth it reveals is that the machine no longer needs to hide its emptiness; it will sell you the void and call it depth. This is what happens when fame consumes its own myth, and we are all forced to watch the digestion.




